Miranda is an independent curator, writer and researcher based between the UK and Germany. She has worked on a variety of projects at varying scales that have involved hosting, writing, researching, curating, building, and designing.
My work revolves around the concept of postnature and explores how approaches to the study of human-altered environments can inform contemporary projects to deepen
our understanding of life’s interconnectedness. I do this through practices that nurture care, curiosity, encounters, and collective sharing.
I am interested in the mediation and construction of publics - particularly peripheral and fluid environments where knowledge and space are collectively and continually
redefined. I have worked with locally sourced materials such as earth and clay on building-based projects, developed performance programmes addressing wetland
conservation, and co-curated exhibitions focused on water and saltmarsh ecosystems.
Miranda is Associate Curator at Art Gene where her work sits across site-specific installations, public art, exhibitions, and events with a focus on sustainability, heritage, place,
and community. She has worked with artists across commercial, public and independent sectors to help realise their ideas. She studied History of Art at the University of Manchester and completed her Masters in Curating Contemporary Art at the Royal College of Art.
For enquiries and collaborations please get in touch:
mirandaflorencehill@outlook.com
+44 7907099600
CV / Portfolio upon request
2025/26
Remember Nature: Intra-actions
Deluge exhibition
Moonscreen
2024
Transitional Botijos
Narcissus Dreams
Lost Shops
2022/2023
Mud Club
Ecologies of Care: Rethinking Wetlands
Pidgin, Royal College of Art